Tuesday, March 14, 2006

stories of pink bits

I wanted to call this white C U Next Tuesday but I reckon it'll get censored.

I'm reluctant to broadcast the subject of this posting; latest news, latest goss.

Originally I had an idea of sending around a group email and massive text session to everyone on my list - with a link to a long and miserable post.

But I'm interested in networks and curiosuly enough my ego seems to have gone on strike. I'm feeding out the news bit by bits in dribs and drabs to epople I see and when I respond to emails. Slowly, sadly. Its veyr hard to say. I hope its not true. Im too scared to type it. Maybe it will make it true.

I started typing on anna's computer after listening to a couple of tangos. There's not even any point searching her hardrive, scouring her SMS inbox or hacking her email account. ONly another knife in the wound.

I know it. I sensed it before, while I was away. How the fuck does that happen?

Her dreams, fantasies, her ideas, her..... love is with someone else. Who I've met. We were amicable, because I didn't realise. I thought a lust a fling a crush. Not a big fat all consuming 7 year itch. Not only her desire, her whole being that makes the love thing happen. There's nothing I can do. I feel like alexis Karenin, or Dolly Oblonsky (Shcerbatskaya). Hell, why did I leave my tolstoy in france? Maybe I shouldn't have let her read Anna Karenina? She didn't make it to then end. I hope she keeps away from trains.


WARNING: MINDLESS AND VTRIOLIC JEALOUS DRIVEL FOLLOWS. i NEED TO PURGE THIS. i'M GETTING MY GFALLBLADDER REMOVED LATER IN THE YEAR COZ AT THIS RATE IT'S GONNA EXPLODE.

So hell is a white twat. My rival is a daughter of pied noirs. I'm not sure if my rival is her or her ex girlgfirend. the firench always do tings in threes. The head rivval is a 40 something ex-junkie teckie whiz butch bar dyke, daghter of a peid noir. The body is an aex anorexic femme vegan. am I bieng nasty? Judith butler has only jsut been translated into French. the parisian dyuke seen is like sydney in the 80's. I caught the tial end of that. Think of black jeans, short hair and lots of pool tables. The body complains that dykes don't think she's real coz she's a femme. Oh for fucks sake. She's no competition. Its the head that hurts, the head rival that punches me in the guts. SHe's brilliant, teckie and knows all the cool music and stuff on the net. How cool eh? she reckons her skin is so bald coz of her polyglot mixed racila ehritage. No she hasn't got a degree in genetics. Yes I do, and yes she's full of shit. She also rekcon french colonialism isn't so bad coz it brought civilisation and romanticism, and the roevolutionary spirit and human rights to north africa. Once a pied noir always a pied noir i say. The french hare hideously unreconstructed colonisals. French cannot admit they are wrong or made a mistae. the word for sorry means 'can you speak more clearly please?" Anna's family backgroudn is algerian. She's a romantic but the heads current girlfriend is kenyan. She seemed nice. She's going back at the end of the year. Anna wants head to come to australia. I'm applying to go to NYC and bakc into the arms of the british library.


the paradox is that We had a great time while I wa sin france. HArdly faught and anna's family were wonderful. As were her stupid fucking game playing friends. Can't al quaida drop a fucking bomb on Montmartre??? please????

Shit it's not about them its about her. She sees me as aher mother. Someone safe, secure, and boring. She wants someone skinny drunk, wild and dumb. Who won't aks questions. She knows if it goes pearshaped I'll take her back. She's right too.

Though right now I'm dreaming of some nice big boobed middle aged butch dyke. I wihs princess carming would come and sweep me off my feet. Unblock my closed sad twat and make me scream.

In reality, I'm planning my social life, catching up on firends, going to the beach, eating salads, and lining up the mercy fucks for when I estimate the serious physical ache is going to kick in (I give it 4-6 months).

I've invested in hair bleach and fake tan. I look like a fright. I want to forget myself. Lose myself, not look at the spurned flesh. hell hel helll.

I walked towards the computer because vitriol filled my fingers and made them itch. But all I can come up with is banal self pity. Where's my morrissey CD?

Tuesday, February 14, 2006

Heaven

I think I've found it.

Here, the sun doesn't shine often, but when its wan rays drift down through the clouds they hit this statue outside the window of my friends loungeroom.

Its the Virgin Mary in a London Cemetery. I see her out of the window, in the morning whe I wakeup.

Today the clouds cleared and there were blue skies at about 11. Mary shone. Coppers on horseback clopped past, shitting on the street. I scurried to themetro to go and bury myself in a windowless cavern of curiosity.

Here, unlike Paris, the library (or the bit I was in) doesn't have any skylihgts or acess to daylight. So I'm in a large white walled edifice,. Inside it sound slike a church.

I'll sopt blithering.

Why did I only give myself a week in London??? I wanna see the mad Welsh rappers termorra, I wanna go to the tate old tate new, and british museum. I wanna go back to the national gallery.

I've got 6 books on reserve to get through tomorrow, and 6 the day after that and 6 the day after that. The day after that I leave. I can't take in pens, so I've got just a trusty 2B and 20p photocopying to take it all in. so many bloody books that I can't get at home. My wrists ache, may bakc aches, my eyes are blurry from the strain.

But I've found an occupation whih makes me strangely intensely happy. Doing researhc and negotioating the Fnrehc Bibilioteque nationale was incredible - an adrenalin rushto reaslise that I could and did have enough lingo to search, select, read and take notes from stacks of books. Enlish should be a diddle by comparison - but its a bigger library, I cna searhc more thoroughly, more widely....and there's so much.

I'm so tired, my typing has reached new lows.

Monday, February 06, 2006

Has Anyone Got a Cure for insomnia?????

One of the reasons why I keep so many blogs is bugging me right now. I've got and have had since I was a kid, terrible insomnia. Generally in the angloaustralian eurostrash post industrial aculturated miasma called society, the response of most poeple to a health complaint is to propose a cure.

I'm open to anything, but before you launch in I'll list what I've done and been doing over the past 20 years: Meditation, counselling, chiropractic, yoga, dental prosthesis, giving up coffee, moderating coffee, xanax, stillnox, temzopan, phenergan, random opiods, alchohol, THC, pentabarbithol, rohipnol, valerian, valerian tea, melatonin, St; Johns Wort, Hot milk, Lavender, Long Baths, Massage, Sex, Masturbation, Exercise, Jetlag.

Jetlag usually works while I've got it, melatonin doesn't. soft valium doesn't work at all; hard valium does briefly for a bit.

Opiods fuck up the stomach.
Maryjane fucks with my head.
Alcohol transforms lme into the hman fridge. I can sit in the corner and hum all night if poeple stuff beers in me. but I won't sleep.
Barbs are only temporary.

So, I avoid coffee after midday, try to get some exercise before dinner,accept to live with scrap sleep and read or write at night, and every couple of days pop a phenergan to wear off the bags under tthe eyes.

but , right now I'd REALLY like to be able to be sleeping right now. It's 4am where I am, and I'd REALLY like to be able to get up in 4 hours time and go this really amazing library that's only open from 9am to 6pm.

I've got 3 days left in Paris. I need all the brains cells I can find to be able to read and take notes in French, and at present my brain really only works from 3pm; With some gross moter skills after 11am.

what to do? what to do?

OK, I'm updating my blogs and this explains why my spelling is usually so shit. Also chekcing email and if things get desperate I can ring my mum and listen to enough small town gosssip to send me to sleep.......

But if anyone has any other cures, I'd be happy to hear about them.

Thursday, February 02, 2006

Travelog:Slumming it in the Sezieme

I've been housebound lately, trying to save money and not splurge on metro tickets out of the burbs and takeaway lunches in the centre of town. its also been so cold that outdoor life is reduced to a frantic scurry between cafes. I think my lips turned blue yesterday. Advantage is that I found a fucking amazing hot chocolate on the boulevarde St. Germain. BouleGerm is the home of scary fucking $10 coffees and loud american tourists tyring to be Simone De Beauvoir, but this place had this fucking amazing melted concotion that was like hot chocolate mousse. and it was only two euros.

Anyway we got a bit stir crazy yesterday so we grabbed the car and drove across the bois de Boulogne. It s big forest where prostitutes do tehir trade. Apparently brothels were made illegal here in the 1970's, and stuck between the bourgie banleiu of St. cloud and the extremeley bourgie 16th arrondissment, it sa great place for Brazilian trannies to score trade. the better sex workers have big trucks in winter parked on the kerb, but I still find it fucking odd.

OK, so we crossed the seine, crossed the forest and found ourselves in the 16th. Most of PAris is pretty much a social mixture, but the sprawling being marble facades of the 16th are a screaming exception. I'm not sure if there's anywhere in Australia that can compare with it, maybe Pymble and Prahan mixed together? All the buildings are the same 5 stoery high topped terraces, but many of them have gates aorund them. There are no sleazy corner shops, and no dodgy cafe/ tabacs. All retail is located on the Grand boulevards. I think everyone is meant to drive 5 minutes to get their brad, but the rest of PAris is made for 80 year old pedestrians who walk their dog and buy their bread each day. In the 16th, the only Africans are pushing prams, wiht white babies in them. I think the pram pushers have uniforms, but its hard to tell under their parkas.

We thoguth we'd go chekc out the musee marmottan, coz there's a clamilla claudle show and I wanted to see her drawings. Unfortunatley Clamille claudel was made famous from the plays and books produced by her right wing brother Paul. And that movie from the type. Outside the museum there was a gaggle of dead animals and helmet hairsprays. Fear. We pushed past the stench of purfume to the tickets, located near the freezing outdoors, and refusing concessions to students over 25, the une,mployed, the elderley, but allowing tteachers, curators and groups over 20 to get in for 4.5 Eruos. We paid more. Inside, more dead animals and helmets hairdos, and big jewelry and scary makeup. all touching and pushing and cackling absolute shite. Paris seemed so much more sophisticated when I didn't speak the language. Now I know that Spanish touists are just as fatuous as amriecan tourists and french art patrons are just as banal as Australians. frightening. And the scarey fur coat brigade also push up and rub agianst smelly prols like me. I thought I'd arm myself by not washing for a week and carrying some used tampons in my pockets, but helas! didn't work.

So after 2 hours of teeth clenching irritation I went downstaris to the non heated room with Monets Giverney paitnings. There's one view of the Japanse bridge from 1918-1919 thqt I think is my favrouite panting in the entire world. Unlike Monet Slide test example No. 57, the colours are DARK, and the strokes aren't knitted toghether into the characteristic mesh that gives that impresisonist shimmer. The whole thing is covered in a series of abstract gestures, that look like Cy Twombly on a bad hair day,Its not jsut the colours, its not the contours, its not just the shapes. I think its the best example of what oil paint IS. Pure plastic light. but fuck oh fuck they resonate. And they shimmer on the borderline between abstraction and a landscape composition. Elizabeth cummings in Australia skates on the same turf, so does Aida tomescue ON a good day, and there are moments when Craig Waddell (chekc out his Wynn piece from 05) also hits the mark. Extreme sports paint. I'm haunted by the possibilities........ which is why I then spent 6 hours on a jigsaw puzzle.

thin Edge of the Wedge

On theoreo practico sidees of things I was wondering if anyone is in touch with the fibrecultists.... Definitely could be good for some of this stuff and how to expand from a very loose blogger.com into something else. Its a good group of mainly academic but some interesting people

I've cut and poasted the lates from the fibreculture list...... maybe its itneresting? Shoot me if its too ivory tower!

PS Also stuck comment son last pensive post... great!

cheers
mayhem

Message: 1
Date: Wed, 1 Feb 2006 11:55:57 +0530
From: avinash jha
Subject: ::fibreculture:: New Command and the Knowledge Question -
Invitation to contribute
To: list@fibreculture.org


[A pre-workshop publication containing significant contributions is
planned. So those unable to travel to Karachi may also contribute.
Discussion on this list is also welcome.]


Dialogues on Knowledge in Society-II
Invitation for write-ups, presentations, participation in the workshop
at WSF-2006 in Karachi



The New Command and the Knowledge Question


Virtual Domain

Questions related to knowledge have assumed radically new dimensions
with the emergence of the virtual world. We shall not attempt to
define what is a virtual domain or a virtual world. Is it the network
society? Is it the world of Internet? Is it the world of those who
have access to the Internet? Is it the world of just those who have
started spending a lot of time and doing a host of activities on the
Internet? Is it the new world of knowledge activity, power play and
finance? We have heard of virtual community, virtual society, virtual
forest, virtual experiment and what not. The idea and reality of the
'virtual' is in the making. The Internet (www) came into existence in
1990. So we shall not attempt a definition of the virtual. However it
is already perhaps an acknowledged fact that it is now the commanding
domain. The activity, development, interaction, formulation,
transaction, creation, invention, discovery, collaboration, criticism
etc. in the virtual world have taken lead and tend to give direction
to human activity everywhere, ?finance, science, art, entertainment,
name any.

We invite you to contribute to a dialogue for exploring the
relationship between the virtual domain and knowledge in society. We
believe that the knowledge question can help us interrogate the
virtual domain in both its philosophical and political aspects.

Knowledge in Society

Knowledge in Society may be seen as knowledge in different
locations - like the university and research institutions, monasteries
of different traditions, media, artisans, peasants, ethnic social
formation, social movements, ideological formations etc. These are
places where people engage in a variety of activities - productive,
religious, artistic, scientific and others. Their activities exhibit
paradigms of knowledge that are different from one another. Another
way of saying this would be they have different bodies of knowledge,
with different structure and logic, values, ontologies, ways of
thinking and speculation.

Such knowledge in society, other than in universities and
research institutions, is often described as just empirical,
cumulative, practice-based, and even superstitious. But then these
qualifications stem from a point of view that belongs to an era, which
is perhaps drawing to a close. We, who have great regard for people's
knowledge, lokavidya, or generally knowledge in society, believe that
it is not in need of criteria external to it because it is embedded in
the life of people at large where correctness and legitimacy has a
time-testing criterion (a real life consistency and delivery
criterion). But in so far as this knowledge is applied in broader
contexts, these criteria themselves are open to contention and
dialogue.

Hierarchy and Emaciation

Virtuality seems to legitimize all traditions and
locations of knowledge while elevating itself to a higher position
from where all knowledge is sorted and organized. In the process it
creates a new hierarchy in the sphere of knowledge. It is not merely a
structural rearrangement of locations but entails a certain emaciation
or atrophy of knowledge in society. They are now seen as places of
genuine human activity only to the extent and in the manner they
relate to virtuality. Can we propose a radical equality of all
knowledge locations as the basis of a future democratic society which
is also at peace with virtuality?


Knowledge Dialogue

Is virtuality the new location of the unity of the ruling
classes of the world? Has virtuality broken the concept of a community
as a face-to-face society? Is virtuality a new reality or is virtual
world only a world of representations? How do we start addressing
these questions? One way perhaps is to construct a universe of
knowledge dialogue that is simultaneously a political, economic, and
philosophical dialogue. This requires that no strict paradigm of
knowledge be allowed to govern the initial premises or the boundary
conditions.

The knowledge dialogue that we are suggesting therefore
can take place in a universe of knowledge traditions and locations
where none is superior or inferior to another, virtuality included,
and by a method which recognizes theoretical constructs only in a mode
of transcendence, that is, the method involves transcending one's own
theoretical constructs. It is in some such knowledge space that this
dialogue is being proposed.

Contributions

Contributions can take various points of departure and
attempt to address the question of virtuality or knowledge in society,
or the relationship between them. Writings that do not take explicitly
the context of virtuality are also welcome. Most welcome will be
contributions written in a non-technical language. Short stories or
narratives or even other forms of artistic creations may help in
creating fresh spaces of epistemic activity, not held down by the
given knowledge paradigms.

Topics can range from the question of property and knowledge, violence
and virtuality, art and science to knowledge and information,
innovation and freedom, law and virtuality to money and finance,
cities and media, and so on.


In what follows, we have formulated an illustrative list of questions:

1.In what sense is virtuality altering our concepts of property?
Present debates on intellectual property rights seem to be largely
governed by considerations of economics, law and politics. Are fresh
questions being thrown up in regard to the relationship between
private property and alienation? Is property now related to some new
form of alienation and human activity? Will addressing such questions
be relevant to reconstructing the debate on politics of emancipation?

2.Is virtuality just a new location for organization or a radically
new mode of organization? Is there a relation between this question
and images of new architecture of human settlements? Is the concept of
network essential to it or just a contingent expression?

3.How is virtuality reshaping scientific research and institutions? Is
the organization of science changing in a far-reaching manner? What
implications it has for scientific practice?

4.Is network society the virtual society? Is weakening of the
boundaries of the nation-state because the ruling classes are
reconstituting themselves through a new unity in the virtual space?
What is the consequence of such understanding for both the politics
that there is and the politics of emancipation?

5.In what sense is virtual real? Human sensibilities, physical,
aesthetic and ethical are simulated in the virtual space? Does it add
only a new dimension to human existence or transform it altogether?

6.Would art now be as respectable as science in the world of
knowledge? That is, does virtuality legitimize not only different
locations of knowledge as suggested above, but also creates legitimate
space for art in the epistemic world?

7.Knowledge in society is related to livelihood activity of the
people without often being mediated by business. Does the virtual
realm also provide such scope?

8. Software as knowledge, knowledge as software? What does the
primacy of software imply for knowledge?



[Workshop organised by Vidya Ashram, Varanasi (www.vidyaashram.org)
and Indigen Research Foundation, Pune (www.indigen.org.in)]

Saturday, January 21, 2006

To Boldly Stumble where others have flanned before.....

I read some cryptic bitchiness in a comments box...and so I tought my paranoid snarling ripose might be a suitable way to start this post.

why do I call myself a flaneur?

In english, FLAN sounds like a type of frilly tart.

After my 10Euro splurge at the Sympa Sales on Wednesday, believe me; I have earned the right to such a title. More frilly lacy tacky vinyl shit that you can poke a Moulin Rouge at. Mother in Law quite appalled.

The word Flaneur is masculine. the anglophone cognoscetti conntotations are of the Baudelierian Dandy, strollign arround in beau brummel gear, or even a sartrean skivvy, reading a bit of proust while puffing on a Gauloise in some poncy cafe in St. Germain. Or Melbourne.

Calling yourself a flaneur in the 21C instantly screams out POSER! YOU PONCY WANKER!!!

There seems to be a nice gender neutrality to such insults..... but there is a seminal smear of recongition of the type, Morissey at Best, or at worst Rick Mayall's Character in the young ones. Fuck I'm showing my age.......


But how does a girl get to do this shit?

Point is, we don't. At least not beyond some slinky Black and white soft porn suited up slouching in a Robert Doisneau style alley. Pin Striped suit, low cut silk blouse, loose over taut tiny limbs. POsing again. Flaneuse sounds like a floozy. Back to the vinyl micro minis. My arse hung out the bottom. Fucking Fetchy eh?

Then there is the average argot of Flanning. La Balarde, the stroll. Walking the dog, which I should be doing now. The quick stride to the next suburb buried in a doudoune. My breath freezes in front of me. the doudoune is not sexy at all. Its what people wear though, when they go a flanning.

the other night we mised the last metro, and the last RER and the last train to the brubs. We were stranded at 1am on the champs ELysees. It's frenhc for ELysean Fields whihc were some ancient idea of purgatory (forgot if its greek or Roman sorry). A damn fine name for the state we were in. Do we go clockwise or anti clockwise around the Arch de Triumphe?

Eventually we found the right grande Boulevarde to start our long haul to La Defence. We trudged up Avenue Charles de gaule in the rain, through Neuilly, named on some magazine cover as "the village that supports sarkozy 83%". Its hell on wheels. Dead at night, hideous faceless shopfronts with the occasional window display of pyjamas. Like the grande bourgeouise burbs of Sydney (think of Neutral bay) leading to the portal to hell that is La Defense.

Fortunately, at about 2am, we crosed the seine and I found a side ways staircase just before concrete hell that led us up to Puteaux. People strolling at night, houses wiht the lights on, and nitingales singing. Unfortunately, my boots were leading water and my feet were fucking sore.

So this is a long winded way of saying that I am a flaneur. or a trudger, or a staggerer, a fumbler, a bumbler. Maybe bumbler is closer to the truth.

I insist on the perogative of describing what I do in daily life, in terms of social curiosity, and critical inquiry. I think its a good thing to do. Despite the gaps and failings. But is it any worse than the Australian students I've met at uni who get funded to go and do long and wanky researhc on the 19th century Parisian flaneur? Why do they bother? who do they think they are? do they even speak french? have they got any idea of Paris that's notlisted on the free Lafayettte Turist map?

the title of Artist is equally abused and romanticised as that of flaneur. and it incites just as much pretension and resentment. but if you make art, then what the hell are you meant to call yourself?

shit. I'd better walk the dog before sunset.

Sunday, January 15, 2006

Cold Fingers

Today I got up with grand dreams of writing a scintillating travelogue.

But then I spnet 2 hours wandering in La Defense, trying to spend the rewuired duty free minimum of 180Euros during the January Sales. I got up to 160 but thenI faltered. I have enough crap - and the 45 euro bag saying WARNING: I COME FROM THE SUBURBS (wiht flales on it to re,ind people of the riots) looked like an overporiced cheesy ripoff of what I could find at the fle,arkets in the same suburbs.

Anywya after Le Defense, I struggled past the cheesy shopping mall food, back to the brubs for a 5 eruoe feast of couscous & veggies. sitting net to lme was the lest eligible bacherlor of Paris. Single men take note/ YOU MUST LEARN TO EAT QUIETLY AND NOT SLURP NOISILY. No woman, however desperate, can ever put up ziht such slurpy gross shit.

So now..... mind blank, surounded by garcons giggling in Arabic. Amazed to read english on my browser and trying to type fster so my fingers donùt feel the cold.

This week anna & I have been hanging out with Lee, our neighbour whose been in Paris for the holidayof a lifetime. She's staying in a hotal near montmartre and was disspointed to discover that the Moulin rouge is a sleazy strip joint in a sleazy tourist strip..... (pigalle)

But she's forced us to get out and enjoy Paris for the pretty place it is. Lest night we went to an intimate concert of some guy from PAris Combo, doing Django Reinhardt covers with his mates. the whole cafe started singing along and one chick did a flamenco dance. tres noice.

The night before Anna & I had a brief foray into dykerama, shoing Lee the Unity Bar, where we met, whihc was........ full of butch dykes singing cheesy 80's songs in little girl voices. I felt human for a change.Also felt like a veteran.....

Highglihgt of the week was Lee collapsing on the Champs ELysee. I'd like to say she was shocked by the queue outside the grande Palais (imagine waiting 2hrs in 4 degrees for an art exhibition). but its was more like scary septicaemia. So we got a ride in the Pompiers (fire brigade who also act as the parisian ambulance) and got to hang out in a hospital for 3 hours. My dormant micropbiology degree kiccked in at the same time as my french which was lucky cowz anna & I had to be the translaters.

Lee's OK now. thank god for penicillin.she's gone off today to piss on Jim ?Orrisons grave.

I've been transcribing the interivews i did for my PhD and also tryign to arrange an interview here in PAris wiht the life drawing teachers at the Ecole Nacionale Beaux Artes; Negotiating bitch faced secretaries over the phone in my dodgy french is a bit of an adrenaline rush........ thank god for Chutzpah.

Wednesday, January 04, 2006

Greylands

dunno if anyone is reading this coz it probably seems like I droppe doff the face of the planet.

right now I'm typing this from an internet/ international phone booth shop in the suburbs of Paris.

I walked here from anna's house in one of those desperate states of near tears. We don't cuddle in bed, barely kiss. LBD has taken hold. She's cold, I'm cold, she spends her entire days translating subtitles on a film she made and the only time we talk is in front of her parents. Right now its lunch time and I'm missing the four course 2 hour extravganza that is the daily repaste.

The weather is cold. I'm wearing a doudoune which is a great name for a full lenght parka that feels like a doona. I'm more fleunt in frenhc than I've ever been - even following the news and anna's parents tlaking over the top of it and reading the canard enchainee and getting the jokes.

I bleached my hair blond and with my anglophone accent still am quite etranger. this time I probably aml enjouying Paris moire than before. love the cold, the lack of sports news, love the architecture, and I'm diong lots of drawingds becqause I'm afraid its my last time here. There's a big fat lacuna and its in my love life this time. What a cheesy line. but it's true; shit.

Monday, December 26, 2005

tourism

I've been making a point of avoiding all semblance of cutlure 'cept for the cheese - while on holidays in Paris

also managed to avoid sun as well.

got a link tho from ruark Lewis about the website for banalities

check it out: www.http://www.rainerlinz.net/NMA/articles/perfecthouse/


cheers

mayhem

Tuesday, November 22, 2005

Wuff Wuff

Las night anna came home drunk as a skunk
I locked myself in my room with a copy of Fanny Hill and a vibrator and settled in for long night of onanistic sulking.

Then I heard some scary noise coming from her room, that sounded no quite human.

Kind of distressed.

I got worried and went to investigate.

she was barking out the window to some dog down the street.

We both collapsed into hsyterical giggles.

She's too cute.

She leaves in 2 days.

I'm planning to be too busy to scrathc myself - but I'm going to miss her.

what a fluff

Sunday, November 06, 2005

Eh Beh Oui, Avec Tout Ma Coeur

Hanging out at Mum's I found an electornic copy of my old statement for Dimia from 2002. thought I'd chuck it online for maximum lovey dovey sigh effect.
Paris has had riots for 10 days and Australia is banning strikes. Despite rampant homophobia of the former - at least they still got democracy. I really wanna emigrate.


I met Anna Nina Belhalfaoui at the Unity Bar, in Rue Saint Martin, in Paris on the 31st July 1998 and spent the night with her at her parents house in Suresnes, and over the next few days fell in love with her.
Anna wanted to drive me to the Normandy coast and take me to the Parisian Flea markets and was surprised that I only wanted to go to Art Galleries. However we both shared interests in philosophy and literature, and I like the fact that she couldn’t play pool, and was amazed that she could speak five languages and had spent eight years at university.
Anna was the first woman I’ve ever picked up in a Lesbian Bar – and the first complete stranger I’ve ever slept with – and yet in so many ways she seems to have been the most perfect love I could have hoped for. I’m, still astounded by the amount of physical desire we share as well as the childlike intensity of our emotional and imaginary worlds. Naturally I adore her intellect and creativity, but I could enjoy that in a friend just as well, so it’s our emotional union that astounds me.
Even though I left Paris four days after meeting Anna, I felt so strongly about my attachment to her, that I promised to write to her, and somehow we would keep in contact. I had never met a woman with her intelligence, sexual appeal or emotional intensity, and I felt even if we never saw each other again, she would be fascinating to write to.
I was the first to write to her, but convinced I had mislaid my letter before posting it, I immediately wrote another. I could hardly believe my eyes when her letter arrived a few weeks later. For the next four months we wrote long letters to each other every week, and made a couple of phone calls.
When Anna announced that she would fly out to Australia in November I could hardly believe it. My feelings were incredibly mixed – part of me was over the moon and impossibly excited but I was terrified that the relationship would interfere with my study, and that a passionate four day fling wasn’t any sort of foundation for a instant de-facto relationship.
Fortunately Anna arrived at the end of the academic year, and I think we spent the first two weeks in bed! I remember my flatmates serenading us in the bath on the first day, and eating Mangos – and losing one on the bus – and I remember taking her on Ferries and then to Bronte Beach – and walking from Bondi to Coogee.
Despite the long walks, ferry rides and social activities - where she was accepted into my social circles – from country high school, Art School and in Sydney, the first three months she was here were hard on us both – especially in January, when I was working full time to save up enough cash to support my studies at Art School the following year.
All my friends met and approved of her, as did my family in the rural NSW. Even my grandfather loved her, and said "We could always do with another girl in the family" but I’m not sure how much he understood our relationship!
Anna spent Christmas with my family in New England, and when Grandfather died in March, she came up north for the funeral, which was held on St. Patrick’s Day. I was really scared of being struck by lightning as we were standing in the front row at the funeral Mass and some of my relatives gave me a filthy looks when I held her hand at the graveside – but My Mum and Brother were both supportive and welcoming of the relationship, and this meant a great deal.
From the first I was convinced that Anna should stay for Mardis Gras – for some reason I was obsessed with the idea that it was my patriotic lesbian duty to show her that Australia had the biggest and best Homosexual festival in the world, however I regarded the fact that Anna hadn’t worked part time while studying as a sign of financial irresponsibility, and I wised I’d met someone more self sufficient, who could ‘mother ‘ me in a way. I think I even asked her to find her own flat and get a job in Australia – so we could have a normal dating relationship.
I now know that I was quite naive in assuming that Anna could get a working Visa and a job and her own flat instantly, and when we investigated things, I realised that if she was going to stay longer than 3 months that we’d both have to make a more serious commitment.
Anna had come to Australia only expecting to stay for 3 months, however somehow she persuaded her parents to lend her enough money to support her stay for another 6 months. I don’t know how I persuaded her to stay – especially once I changed my mind and realised that I’d rather live with her and support her financially than have her go back to France, but she stayed. During those times I lent her my bicycle and paid for her accommodation, phone and food expenses. Anna made a positive contribution to the share houses we lived in, cooking and cleaning and socialising with other housemates, who welcomed her presence.
Each time Anna renewed her 3-month tourist visa in 1999 was like a huge test of our love. "Do we want this to continue?" "Do we believe our relationship would survive a separation now?" "Could we really bear to live apart?" were the biggest questions. Contrary to my fears, Anna proved to be incredibly resourceful financially, even more frugal than I had ever been. On July 3rd 1999 we moved into subsidised share accommodation, in Alpha House Artists Cooperative, and with flatmates who supported our relationship, our living costs remained low.

However in September 1999, Anna’s ticket was due to expire, and her financial resources were running low, and she wanted to return to France, and see her friends and family. I was in the final months of my Fine Arts Degree, and was looking forward to being able to focus 24 hours a day on my course, and I was sure that I’d somehow raise the cash and travel to see her at the end of the year. I also planned to go on 3-week painting camp to the desert with a group from art school, so I planned to keep busy, and enjoy my solitude rather than pine after her.
Anna and I spent a week before she left, staying in Byron Bay, trying to avoid the last of Sydney winter. It was a tense and nerve-racking time, kind of like trying to sleep in after your alarm clock has rung. I remember feeling so incredibly fragile and scared, and terrified of losing her, that I’d lost her, and all I’d ever have was an awful ache of desire. Our last days were crazily blissful, but we both broke down at the airport, I sobbed all the way home on buses, in parks, and in my room, where I wrote her a 10 page tear stained letter
Anna’s first three months back home were fairly horrible for her I believe. A lot of her friends had left Paris, she couldn’t find work, she was missing me and not enjoying a second successive winter. Returning to financial dependence on her parents, after so much freedom here, was also a strain. We kept writing 10 page letters (so much better than email) to each other, and phoned each other at least once a week too. Hearing her voice was miraculous each time – plus we’d made a tape of each other laughing together – which kept me sane in the gloomiest moments.
Two of my friends, who I’ve known since Pre School, visited France and were treated hospitably by Anna’s family. They soothed Anna’s new found feelings of exile from Australia, but also told me how generous and welcoming her family would be towards me and anyone associated with me.
The end of 1999 was personally catastrophic for me, however. A few weeks after Anna left, my brother died, mysteriously overseas, and a friend from art school also died of a Heroin overdose. When I heard about my brother dying, the first person I called was Anna. The vigil waiting until it was 7 am in France seemed eternal. She just was the most important person to me outside my family. There was no question of that. I remember what she said "I am with you, every moment. Don’t ever forget it" but it was incredibly hard not to sometimes.
Especially as months passed before we saw each other. I remember speaking to her just before Christmas – and maybe I’d just sent her a letter – and she asked "Do you need me there? Just ask me to come and I’ll be there. I’ll borrow money and I’ll come." Even my friends offered to buy a ticket for her to come. In hindsight, I wish I’d accepted their offer but at the time I just thought it was more important to face my problems on my own.
No one can understand how immense grief is until they actually have to go through it, and I was terrified that the gulf of pain between us would put too much strain on the relationship. I had a lot of friends around me and It felt better to keep the memory of the relationship as some kind of perfect fantasy, so I could escape the day to day hell of grief that I was going through just by phoning or writing a letter.
Slowly in 2000 I started to get my life back together. Losing my brother felt like losing a leg, and I really felt that I had to learn to walk again – I was offered a solo exhibition in a Sydney Art Gallery, which was incredible, and I was also exhibiting in a number of group shows, so my artistic career was taking off – but emotionally the pain of being separated from Anna grew worse and worse.
During the nine months that we were apart I felt that sometimes I didn’t want to be reminded of Anna at all. I felt her as an awful knot of tension in my stomach – a horrible dread that I’d never see her again – even in photos of us together she looked impossibly remote – like some fantasy that I’d dreamt up and could never realise. I really feared somewhere that I’d never see her ever again, that she’d forget about me, or find someone better – and this was despite all the phone calls from her, all the letters she kept writing week after week.
It took 6 months after my brother’s death before I was in any state to even look for part time work, and despite some sales of artworks, plans for raising money to go to France were looking increasingly shaky. Fortunately I have good friends. Some looked around for the cheapest air tickets, and one dear friend eventually bought me a return ticket to Paris for my birthday. Even though Anna said she’d support me financially, my Mum also gave me some money to live on while I was over there.
On the 6th June 2000 I boarded a plane, crying with relief that such a horrible trial was about to end. I’ll never forget arriving in Paris 18hours later. The plane was early and there was no sign of Anna! Having no idea of either Parisian geography or French, I was a little perplexed, so I decided to sit and write for half and hour and see what would happen. Then I saw her. I guess she’d shrunk and I’d grown, but I remember lifting her onto my lap and us just sitting and kissing and laughing and the unbearable delight of sitting next to her in the car in the traffic jams on the "Periphique" leading into Paris – and then the first sex I’d had for nine months – and every pore of my skin being able to taste the sensation of her skin on mine.
We haven’t spent a single night apart since then. We spent 3 months in France, mostly in Paris. Her friends and family were absolutely lovely and welcoming and patient with my appalling attempts to speak French.
Staying in France was wonderful and terrifying. In a way, I felt I was getting to know a new person. For most of the year Anna had been working two jobs, repaying her parents and saving up to visit Australia, and she had moved out with friends from Uni. and had really become well established in Paris. I was seeing her on her home turf, and also seeing the cultural and social forces that shaped her. This part was terrifying.
On the 27th June 2000, the week after participating in the Parisian Gay Pride March, Anna and I registered as a PACS "Pacte Civil de Solidarite" couple which is the closest thing the French have to recognition of same sex relationships. After visiting the Palais de Justice, and paying for my Birth Certificate to be translated into French, we had a small form signing ceremony in the Tribunal d’Justice of Puteaux. Mum was a bit surprised when I told her that we’d been married. A few friends were also over excited. But to me the ceremony, was such a minor procedure compared to all of the other serious commitments we’ve made each to other, each letter, each phone call over two years has felt like much more of a covenant.
Unfortunately the PACS legally offers little more than a token recognition of same sex relationships. The French immigration authorities and consulates have no recognition of any relationships outside of heterosexual marriage, and to even stay as a tourist in France for longer than 90 days, I’d have to ask Anna’s parents to sponsor me as a family guest.
Anna’s parents were incredibly hospitable towards me, and patient with my very limited French. They offered me free accommodation and food in Paris and invited me to stay at their holiday house on an Island in Brittany. There I was able to see what formed Anna, where she got her sense of security and adventure, what a loving generous family she had. The Island itself was the most magical, healing space I’ve ever seen. I’d traveled through Europe on a landscape excursion, but I’d never dreamed that I’d fall in love with a landscape that wasn’t Australian. However I did, and we spent a month there, with me drawing every day, and eating seafood caught by Anna’s parents. Part of me was jealous that she’d had such a wonderful and secure childhood, compared with mine, but her parents made me feel like part of their family, and I realised that I was living an ideal childhood as an adult.
We stayed for almost a month in Brittany, but we had two weeks to ourselves – which was like our first honeymoon. This included the two-year anniversary since we met – on which Anna took me snorkeling for the first time in my life. We were able to spend 24 uninterrupted hours a day together, with no other company besides each other, and no demands of work or study. Most days we would go for long bicycle rides or walks together along the cliffs, and I would sit and draw as Anna wrote. It was then that I really knew that I could live every day for the rest of my life with Anna. I was really happy to be constantly in her company – as we could both exist in our independent solitary worlds of creativity while in the same space.
In August, Anna and I traveled around France and the Northern Europe where we stayed with friends of Anna and myself, and then we returned to Paris to prepare our departure for Australia in September. We arrived in Sydney on September 1st 2000, and left two weeks later to spend the anniversary of my brother’s death with Mum in the country.
September and Christmas, were still really hard for Mum and I emotionally, and it was really good to have Anna’s support this time around. Both times we stayed at Nambucca Heads in a 2-roomed flat with Mum letting us have the double bed. I was demanding, upset, remote and depressed a lot of the time. This sojourn in Australia was a lot less the idyllic summer love affair than was the last time. In addition, Anna had been hoping to work in Australia, but as the school term was only 9 months – she didn’t have the 12 months employment record to enable her to gain a working visa, so she was on a forced vacation.
The first few months in Australia were made harder by the financial strain of depending on a single income and the psychological pressures of unemployment. We share a bedroom in a share house in an artist’s cooperative. While the other residents are supportive of our living arrangements, and the subsidised accommodation enables us to have very low living expenses, I think both of us would prefer to live exclusively as a domestic couple.
However the Artists Cooperative has been an interesting place for Anna to live. She has set up her own dark room, developed and printed photographs and participated in group exhibition at the Co-op Gallery. Anna has also participated in a life drawing sketch club and has become interested in painting and sculpture. She spends a lot of her free time studying languages, and repairing appliances and furniture that she finds in the house or in the garage. I have rented a studio space and have been working and living from art and art related work, and realising a lot of my professional dreams.
I think Anna and I have both changed since the last time we lived together. We aren’t that interested in going out – and as many of my friends have left Sydney or left Australia to work overseas our social circles have changed. Both of us enjoy quiet introspective activities, and have little interest in television or the latest trends in music or fashion. This is not to say that we’re a reclusive couple! We both love dressing up inventing new characters and elaborate costumes for even the most minor social engagement. I’ve loved seeing this flamboyant side of Anna develop during the relationship – while she has worked miracles in encouraging me to trust my body and push my physical limits in camping, swimming and cycling.
While ever Anna has stayed in Australia I have guaranteed her free rent and promised to cover any living expenses. It’s hard though for any adult to accept complete financial dependence on someone else, and Anna has often felt frustrated and powerless at not being able to work here and make an equal financial contribution to the relationship. While living in Australia she has undertaken a lot of the cleaning, cooking and shopping duties, in exchange for her share of the bills.

When we were in Paris, in addition to the hospitality of her family, Anna bought all of my Cartes d’Orange (monthly travel passes). In Australia I have bought her a weekly travel pass – each week – so she would feel able to travel independently of me – and move around Sydney as she chose (mostly to the beach). For her birthday this year I bought her a bicycle so she would feel completely independent of even this financial obligation.
When we have traveled (within Australia and Europe) we have pooled whatever financial resources we both had to pay for fares, food and accommodation. I’d say that both of us are naturally careful with money and very conscious of maintaining our own dignity and independence, but also generous. I enjoy sharing every aspect of my life with Anna, I’d much rather do things in her company than on my own, so sharing food, holidays, possessions, music, clothing, books, alcohol and entertainment with Anna is absolutely a no-strings attached arrangement.
We have a joint bank account – where Anna deposits her traveler’s cheques and I receive my pay – which has a credit extension. We pool our financial resources and use this account to pay for rent, food and other expenses. At the same time, I hate the thought of either of us having financial control over each other – and it has been important while in each other’s country that we both have access to our own forms of savings or income. Anna and I do not go over our monthly bank statements and make absolute plans for every cent we earn – but rather discuss what income and expenses we both anticipate over the next few months.
I think Anna and I both trust each other’s financial judgement and commitment to shared life enough to exist without regulating each other - and trust that we’ll both exercise a reasonable amount of caution and consideration in spending our funds. Anna is incredibly frugal though – even more so than me – I like to buy art materials on impulse – and love buying takeaway meals instead of preparing lunch – Anna makes a careful budget of her travelers cheques - and saves up for special presents or things we need.
Sharing a single room has been a challenge. Both of us are solitary and creative – so we both need individual space to think, write and work. Anna has her own desk in the corner of the bedroom – which I never use, and there’s an implicit understanding that we respect each other’s space and things – she has her own shelf space and wardrobe space but our bedroom is often cluttered with each others junk and this sometimes causes friction – particularly as I’m messy and she’s tidy.
We are both commencing our professional careers and neither of us has accumulated any assets – apart from books, artworks, and a minimal amount of furniture. We share everything. Anna wears my clothes and I wear hers. (Except underwear and socks) We share the same shoe size – and read each others books. If I’m buying art materials for myself – I’ll buy some for her as a present – we’re always buying each other little presents of stationary or fabric.
I don’t have any major assets, however all of my long terms plans feature Anna in them at present, and intend to leave all of my belongings and inheritances to her in my will. If Anna was able to settle here and work then I guess we’d buy a car and a house together – as joint incomes would permit this.
Each day spent with Anna has been a blessing. Every time I can look at her, touch her, or even hear her or read her words is such a miracle, that I’m glad of every aspect of our life together, easy or hard. I know we’ve chosen this relationship, every step of the way – we haven’t been able to take it for granted ever.
It’s so easy to become complacent, and think that because we can kiss in public, because all our friends and colleagues approve of our relationship, because our families accept us as a couple, that our sexuality is not a social issue. Then when I look at straight friends and think if either one of us had been a man, we would have been married two years ago, we would never have spent those nine months apart, we would have had two incomes the past year instead of one, and I ‘d be able to stay, study and work in Europe as long as I liked, then I can’t help thinking how stupidly unfair and homophobic the world still is.
I believe our relationship is probably strong enough to survive anything, but for me, separation is not an option worth considering, If Anna isn’t able to gain a long-term visa here, then she’ll stay here on a tourist visa. Or we’ll both try and live in another European country where Lesbian marraiges are recognised and she can work and support us both financially and I’ll be the housewife!
We have many plans and many dreams. I’d think we’d both like to live exclusively together rather than in a communal household, and we’ll do that as soon as finances permit. Anna wants to work in Australia as a Language teacher, and save the money to buy a car and drive to the desert. I’d like to live in Europe for a year and paint. I’d like her to be able to do a PhD in literature either here or there. I’d like us to live in a house where we’d have enough space for my mess and her tidiness – rather than sharing one room as a bedroom and her study. I think we’d both like to have kids together – and a menagerie of pets.
I don’t know what miracle brought us together – but I feel intellectually, sexually and emotionally challenged and comforted by her in a way I feel couldn’t be possible with any one else.

Wednesday, November 02, 2005

Save My Ass!!!!

I'm a bit of a moron.

After posting the last bit of blogshok - I then vaisihed into the hills of northern new england for a few weeks of solid work on the tome.
as a result I've missed lots of parties -buthtat is kinda like the point. I need to write. Wriitng needs silence and no distraction.
sydney is full of noise and distraction.

Hell! I even missed my radio gig.

Sorry if anyone pannicked.

I've been staying safely and quietly wiht my Mum and coz she has a TV I've been placed in the unfortunate position oflistening to the news on a daily basis.
As a result I'm aware that John Howard is trying to rush the anti-terrorism legislation through parliament this week.
Like many people I'm shit scared.
I'm shit scaredbecause even innoccuous things like my BAXTER paintings could have me arrested and charged under thenew sedition laws.
So could any artists who writes lyrics, does paitigns, makes a video, zine, t-shirt, drawing,poem, story that in someway casts nasturtiumso apon our venerable leader Kim Il Sung - err.. John Howard.
I kid you not.
Right now my choices are:
Emigrate - I've got my ticket for december - but its a return one at present. -

Pray to God to grant us a federal opposition - doingthat but he's not that great with lapsed catholics.

Try to see what sneaky little puny concessions can be gained in order to save some illusiory scraps of social liberty.

In the spirit of the latter approach - I hereby post this internet petition - with a nice sneaky little ammendment that may save my ass and many ofyours!
Real petitions work by sending letters to particular members of parliament. so pleas even if you're overseas - scroll through the following - cut and paste it into a mryiad of emails - and send em off tho the list below.

.Please also forward this polite and pleading letter toas many registered Australian voters as you know.

Maybe in the new age of terror, we can't even preserve a shred of our interesting democratic society, but its worthwhile giving it a shot.

btw - this info came from the National Association of Visual Arts. and not MX, GLW or the chaser......Even my old art school is shit scared.

.... I am writing to alert you to the potential impact of the Sedition Clause in the Anti-Terrorism legislation proposed for introduction into parliament in the next few days (for draft legislation seewww.chiefminister.act.gov.au).
NAVA believes that this will jeopardise both artists'and arts organisations' freedom of expression and action (see attached media release sent yesterday).The government has not demonstrated a need for these new sedition laws. These changes should not be made,and certainly not without proper public discussion. If the government intends to proceed with the lawsthen the new offences are too wide because they affect unfairly and in breach of freedom of expression(recognised at international law). The government must limit the ambit of the new offences to protect artists, journalists and others involved in the visual arts. NAVA urges you to take immediate action by writingto, ringing or arranging to meet with any or all of the parliamentarians listed below (and attached) to tell them that changes need to be made to the legislation in order to protectartists' and other people's rights to freedom of expression. Even if the legislation is introduced into the lower house of parliament there is still time to negotiate changes.

We have sought the advice of the President of Australian Lawyers for Human Rights as to exactly what changes should be made. This advice is included here for your reference.

Proposed Amendment to the Anti-Terrorism Bill 2005

Omit sub-sections 80.2(7), (8), (9)
Insert after 80.2(6) the following: ³80.2A Exemption Sections 80.1 and 80.2 do not apply toanything said or done reasonably and in good faith:
(a) in the creation, performance, exhibitionor distribution of an artistic work; or
(b) in the course of any statement,publication, discussion or debate made or held for anygenuine academic, artistic or scientific purpose orany other genuine purpose in the public interest; or
(c) in making or publishing:
(i) a fair and accurate report of any event or matter of public interest; or
(ii) a fair comment on any event or matterof public interest if the comment is an expression of a genuine belief held by the person making thecomment.²
Change clause 80.3 Defence for Acts done in good faith, to require the onus of proof to rest with the prosecution rather than the accused."

(The provision is based on s.18D of the Racial Discrimination Act 1975 exemption from racial hatred.) As you know, NAVA rarely asks its members to takethis kind of direct action but we consider this suchan important issue that we are contacting you to askthat you act quickly to let the decision makers knowof your concerns. Thanks in anticipation for your support of artists'and arts organisations' rights. Best wishes Tamara -------- >

JON STANHOPE¹S WEBSITE:> http://www.chiefminister.act.gov.au> <http://www.chiefminister.act.gov.au/>> >

FEDERAL LIBERAL PARTY> > Senator the Hon Helen Coonan> Minister for Communications, Information Technology> and the Arts> Senator.coonan@aph.gov.au> minister@dcita.gov.au> >

Senator the Hon Rod Kemp> Minister for the Arts and Sport> Senator.rod.kamp@aph.gov.au> >

The Hon Philip Ruddock MP> Attorney-General> Ag@Ag.gov.au> >

Mr Petro Georgiou MP Member for Kooyong> P.Georgiou.MP@aph.gov.au> >

The Hon Bruce Baird MP Member for Cook> Bruce.Baird.MP@aph.gov.au> >

Mr Russell Broadbent MP, Member for McMillan> Russell.Broadbent.MP@aph.gov.au> >

The Hon Judi Moylan MP Member for Pearce> J.Moylan.MP@aph.gov.au> >

Mr Paul Neville MP Member for Hinkler> P.Neville.MP@aph.gov.au> >

Mr Malcolm Turnbull MP Member for Wentworth> Malcolm.Turnbull.MP@aph.gov.au> >

The Hon Dr Brendan Nelson MP Member for Bradfield> > B.Nelson.MP@aph.gov.au> >

George Brandis, Senator for Queensland> senator.brandis@aph.gov.au> >

Marise Payne, Senator for New South Wales> Senator.payne@aph.gov.au> > >

FEDERAL LABOR PARTY> >

Kim Beazley, > Leader of the Opposition> Kim.Beazley.MP@aph.gov.au> >

Peter Garrett, > Parliamentary Secretary for Reconciliation and the> Arts> Peter.Garrett.MP@aph.gov.au>

Nicola Roxon > Shadow Attorney-General> Nicola.Roxon.MP@aph.gov.au> > >

STATES/TERRITORIES MINISTERS> > NSW: >

The Hon. (Bob) Robert John DEBUS, MP> NSW Minister for the Arts, Attorney General,> Minister for the Environment,> and Minister for the Arts> bob.debus@debus.minister.nsw.gov.au> bluemountains@parliament.nsw.gov.au> >

ACT> Jon Stanhope, > Chief Minister, ACT, Minister for the arts, heritage> and indigenous affairs,> Attorney-General> stanhope@act.gov.au> > NT> Ms Marion Scrymgour MLA,> Minister for Arts and Museums> marion.scrymgour@nt.gov.au> > The Honourable Dr.Peter Howard Toyne,> Minister for Justice and Attorney-General> electorate.stuart@nt.gov.au> > QLD> Hon Rod Welford MP,> Minister for Education and Minister for The Arts> EducationAndArts@ministerial.qld.gov.au> > Hon Linda Lavarch MP,> Attorney-General and Minister for Justice> Attorney@ministerial.qld.gov.au> Attorney@qld.gov.au> CorporateCorrespondence@qed.qld.gov.au> > SA > The Honourable Mike Rann MP,> Premier, Minister for the Arts> premier@saugov.sa.gov.au> > The Honourable Michael Atkinson MP,> Attorney-General> Attorney-general@agd.sa.gov.au> > TAS> Lara Giddings, > Minister for the Arts> Lara.giddings@development.tas.gov.au> > Judy Jackson, > Attorney General> judy.jackson@justice.tas.gov.au> > VIC> The Honourable Mary Delahunty,> Minister for the Arts> mary.delahunty@parliament.vic.gov.au> > The Honourable Rob Justin Hulls,> Attorney General> rob.hulls@parliament.vic.gov.au> > WA> The Hon Sheila McHale MLA, ,> Minister for Culture and the Arts> sheila-mchale@dpc.wa.gov.au> > The Hon Jim McGinty, BA BJuris(Hons) LLB JP MLA,> Attorney General; > jim-mcginty@dpc.wa.gov.au> > > STATES/TERRITORIES OPPOSITION> > NSW> Mrs Jillian Gell Skinner, MP,> NSW Shadow Ministers for the arts> northshore@parliament.nsw.gov.au> > Mr Andrew Arnold Tink, MP,> Shadow Attorney-General> epping@parliament.nsw.gov.au> > SA> Mrs Joan Hall MP, > Shadow Spokesperson, Arts> morialta@parliament.sa.gov.au> > Hon Robert Lawson MLC,> Shadow Attorney-General> raelene.zanetti@parliament.sa.gov.au> > WA> Sue Walker, > Shadow Minister for the Arts> swalker@mp.wa.gov.au> > Bill Scott, > Shadow Attorney-General> bscott@mp.wa.gov.au> > VIC> Andrea Coote,> Shadow Minister for the Arts> andrea.coote@parliament.vic.gov.au> > Andrew McIntosh,> Shadow Attorney-General> andrew.mcintosh@parliament.vic.gov.au> > TAS> Michael Hodgman,> Shadow Minister for the Arts> michael.hodgman@parliament.tas.gov.au> > Jeremy Rockliff, > Shadow Attorney-General> jeremy.rockliff@parliament.tas.gov.au> greens@parliament.tas.gov.au> > > QLD > Stuart Copeland, > Shadow Minister for the Arts> Cunningham@parliament.qld.gov.au> > Mark McArdle, > Shadow Attorney-General> Caloundra@parliament.qld.gov.au> > > ACT> Richard Mulchany, > Shadow Minister for the Arts> mulcahy@parliament.act.gov.au> > Bill Stefaniak, > Shadow Attorney-General> stefaniak@parliament.act.gov.au> > NT> Jodeen Carney > Shadow Attorney-General> jodeen.carney@nt.gov.au> > Terry Mills, > Shadow Minister for the Arts> terry.mills@nt.gov.au> electorate.blain@nt.gov.au> > ------------------------------------------> > Tamara Winikoff> Executive Director> National Association for the Visual Arts (NAVA)> PO Box 60,Potts Point, NSW 1335.> Ph: 02 9368 1900> Web: http://www.visualarts.net.au> > NAVA advances the professional interests of the> Australian visual arts and> craft sector through advocacy, representation and> service provision.> > NAVA gratefully acknowledges the assistance provided> by the Australian> Government through the Australia Council,> its arts funding and advisory body, and by the> Visual Arts and> Craft Strategy, an initiative of the Australian,> State and Territory> Governments.> > >

Sunday, October 16, 2005

SPEWIN

ON the blog list right - I've got a link alled "simon".

Actually its to planet CAT where you can follow links to Simon Rumble, Stacy and other cool geeks.

I was just reading stacy's blog (I lurk quietly everwhere) and my blood started to boil. Check out:

http://catdev.cat.org.au/node/28

Fucking HELL WHY am I writing a fucking slow thesis -when some sketch clubs need bobms dropped on them and all those fucking slow old toxic fossils with their shit ugly paintings get blown to bits!!!!!!!!!!

The Australia government has just passed new terrorist laws so If I don't post here for a couple of weeks - then get worried and someone please tell my mum and anna.

Apparently we aren't even meant to know about them - but a few wild things are letting people know anyway. Check out.

http://www.chiefminister.act.gov.au/docs/B05PG201_v281.pdf


Download it, print it out, read memorise and eat it. This kind of info is illegal I kid you not.

The other thing is that people aren't meant to tell anyone when they get detained for interogation.

Some Chileans have been saying that this reminds them of 9-11. By that I mean 9-11-73 When there was a military coup d'etat and Pinochet took over. About 10,000 people got arrested and tortured or disappeared......... the lucky ones left the country and got shit jobs as toilet cleaners - but they managed to tell their stories at least.

this kind of shit is scary. CHileans also told me that the ONLY chance of NOT disappearing (ie being tortured to deaht and you body being dumped) when you got arrested was to SCREAM your name, your next of kin or whoever and I AM BEING ARRESTED at the top of your voice. Otherwise you'd vanish.

SOMeone I know had a scarily simliar experience in Paris about 20 years ago at the Nanterre PRefecture. If you want to see hell on the outside check it out. They've thrown in a miasma of pig shit just to scare motorists from 50 paces. One day, arranging a visa, she was detained a bit too long, and some officios suggested that she follow them down a looooooooong corridor. She mentioned she had a radio interview in half an hour with someone who'd be very supcious if she hadn't returned form the prefecture....... and they let her go.

You think I'm exaggerating? Did you know that 300 algerians got thrown in the SEINE in the middle of Paris in 1961? They were peaceful protestors who got rounded up and shot. A tiny memorial got put up 40 years later on the very spot. It got ripped off the wall eventually, coz lots of people don't like remembering how terrible history can be........

Australians are pretty dumb and passive. I count myself amongst this as on friday night I sat in a restaurant and ate the worst kebab I have ever seen smelt or tasted in my entire life. Not a peep did I say. I imagine that I and others would be like the sheep in Solzehnitzens Gulag Archipelago - just going quietly into hell.

Fuck a duck
how depressing.
I don't want to grow up or be an adult any more
I want to run away and read lots of books and paint rocks.

But, I won't (much)
and continue with my slow stupid minute processes of writing and living.

Stacy's story of fucked up artists abusing a model, (and exposing someone's naked flesh to a miasma of toxic mineral turps - whihc will penetrate the pores of her skin and CAN cause lymphoma - just because these prune mouthed rich old north shore fucks are too stingy to spend an extra $5 on a less toxic alternative - is ABUSE - and these people deserve a punch in the face - or act least osmeone to put 10 grams of paracetamol in their fucking cups of lanchoo tea.........) or other stories of teachers showing fucking cut up cadaver sketches of womens bodies in order to teach life drawing, remind me that even the most benign and anachronistic enterprise has its fair share of bloodshed.

SOmehow - I'll turn my rage into 80,000 words of coherent cutting analysis, and writing in a way that can create a critical discourse that will enable stupid necrophilliacal shits to go fuck themselves instead of fucking over other people

I will, I must, I will.

GRRRRRRRR!!!!! I'm too angry - better stop writing and go for a walk and bark amongst the dogs in sydney park

Wednesday, September 21, 2005

very bright orange

I LOOOOVE dayglo!!!!

I've had another fit of extreme writers block. Trying to make my nice critico fictive paper into something earnest about ethnography.
Failed
got distracted by a phone call. Spent an hour doing boring admin crap for the Coop where I live
shit
decided to wast time further by updating my blog
heaven!

does anyone ever read this?

I live by the sword of the artlife, and tend to flip onto jebnis, sandys and shortleftlegs quite often. Then if texta can type, or I wanna read about a phd with a social life i read emmas, or want to get lost in something QUITE ODD - then look at whimsy...... or check out jebni's nice storehouse of good writing...... My friend Simon bumble - really interesting and funny guy - posts really short comments on beer and photos! Mind you he's not very bookish - so maybe the 1000 word rant ain't quite his style.

oh god I'm name dropping

I was SOOOO sick for 10 days and had to drag myself over to the north shore TWICE to teach fucking rich old middle class brats how to paint. Acutally one of the classes was kinda cool and happy - and just happy to paint. the other class was terminal. Extremely grumpy and precious and no energy and tedious as hell. WHY DO IT IF IT DON't MAKE YOU HAPPY????? Ask the english I guess. fucking hell, and entire culture of grumps.

fuck
I hope I never see wynyard station ever again. I hope I don't cross the bridge for at least 6months. Its weird over there.

And very very beige.

while I was REALLY sick - I had an old school friend come to visit sydney for the first time in 7 years. I hadn't seen her for 2 years - or even spoken to her.

I had to clean my room.
In the process I started a fire - which I just managed to jump on - 20cms from my computer
fucking hell
it was one of those weeks.
I also was trying to polish a paper into a piece of brilliance
I had one friend come and visit from bathurst. he had an opening, whihc was a bit of a fizzler.
He wanted to chat.
he's insomnious like me.
nice chat though

then my friend from home.
I guess really good friends are OK to have around when you feel ratshit - coz they've seen you at your worst. We both lived through the evil sadistic nun in year two who PASHED US BOTH ON OUR MOUTHS. I kid you not. Our first ever conversation aged 8, was discussing this very perplexing event. And look how I've turned out.

I barely had the energy for any sort of conversation, let alone to tidy my room and make nice dinners. I should have been in bed. Instead, I robed up as mary, took a hipflask of scotch and downed some sudafeds and dragged her out to manjam.
she thought some of the acts were 'cheap'.
my brain is still trying to process this information.

oh god
i can't write at all
I'm going to have a shower and stroll in the sunshine and go look at some ART.
then I'm going off to a coupla openings - at artspace and then the free cognac fest that is 4A.

woohoo!

Tomorrow I've got a funeral to go to for the second woman last week I know to die of BREAST cancer. Then I'll meet my supervisor and errr..... try to learn something.

Tuesday, September 13, 2005

Snot Much at All

Personally I have been hit by a hurricane of Leucocytes. Blood and green pus oozing form a number of orifices. Delirious when I leave the house. Its amazing how illness sorts out ones priorities.

This week:
First ambition: try not to end up in hosptial with bronchitis.
My lung capacity is around 75% or maximum so I reckon I'm OK. Still - that extra 25% seemes to come in jhandy for stuff like ...errr.. maintining a continuous strema of thought.
Still coughing up green goo. Still slurping fenungreek. If it don't clear by friday i'll go see a doctor and try the bacteroclear option.

Second Ambition: Try to get my voice back by friday
I'm meant to give a paper! Hah! on what? ohhhh fucking hell.

this is all boring, but a great excuse to avoid, art openings concerts and social life. Pity I'm too sick to return all those books I borrowed which suddenly got recalled - I'd rather pay $6.00 than sit on another bus.

On a dismal note: I read the follwin story about New Orleans. I still can't beleive what has happened there........... check it out. Writing like this also reminds me why I don't miss newspapers or TV.
cheers

mayhem

Notes From Inside New Orleans
by Jordan FlahertyFriday, September 2, 2005

I just left New Orleans a couple hours ago. Itraveled from the apartment I was staying in by boat to ahelicopter to a refugee camp. If anyone wants toexamine the attitude of federal and state officialstowards the victims of hurricane Katrina, I advise youto visit one of the refugee camps.In the refugee camp I just left, on the I-10 freewaynear Causeway, thousands of people (at least 90%black and poor) stood and squatted in mud and trashbehind metal barricades, under an unforgivingsun, with heavily armed soldiers standing guard overthem. When a bus would come through, itwould stop at a random spot, state police would open agap in one of the barricades, and peoplewould rush for the bus, with no information givenabout where the bus was going. Once inside (wewere told) evacuees would be told where the bus wastaking them - Baton Rouge, Houston,Arkansas, Dallas, or other locations. I was told thatif you boarded a bus bound for Arkansas (forexample), even people with family and a place to stayin Baton Rouge would not be allowed to getout of the bus as it passed through Baton Rouge. Youhad no choice but to go to the shelter inArkansas. If you had people willing to come to NewOrleans to pick you up, they could not comewithin 17 miles of the camp.I traveled throughout the camp and spoke to Red Crossworkers, Salvation Army workers, NationalGuard, and state police, and although they werefriendly, no one could give me any details on whenbuses would arrive, how many, where they would go to,or any other information. I spoke to theseveral teams of journalists nearby, and asked if anyof them had been able to get any informationfrom any federal or state officials on any of thesequestions, and all of them, from Australian tv to localFox affiliates complained of an unorganized,non-communicative, mess. One cameraman told me “assomeone who’s been here in this camp for two days, theonly information I can give you is this: getout by nightfall. You don’t want to be here atnight.”There was also no visible attempt by any of thoserunning the camp to set up any sort of transparentand consistent system, for instance a line to get onbuses, a way to register contact information or findfamily members, special needs services for childrenand infirm, phone services, treatment forpossible disease exposure, nor even a single trashcan.To understand the dimensions of this tragedy, itsimportant to look at New Orleans itself.For those who have not lived in New Orleans, you havemissed a incredible, glorious, vital, city. Aplace with a culture and energy unlike anywhere elsein the world. A 70% African-American citywhere resistance to white supremacy has supported agenerous, subversive and unique culture ofvivid beauty. From jazz, blues and hiphop, tosecondlines, Mardi Gras Indians, Parades, Beads, JazzFunerals, and red beans and rice on Monday nights, NewOrleans is a place of art and music anddance and sexuality and liberation unlike anywhereelse in the world.It is a city of kindness and hospitality, wherewalking down the block can take two hours because youstop and talk to someone on every porch, and where acommunity pulls together when someone is inneed. It is a city of extended families and socialnetworks filling the gaps left by city, state and federalgovernments that have abdicated their responsibilityfor the public welfare. It is a city where someoneyou walk past on the street not only asks how you are,they wait for an answer.It is also a city of exploitation and segregation andfear. The city of New Orleans has a population ofjust over 500,000 and was expecting 300 murders thisyear, most of them centered on just a few,overwhelmingly black, neighborhoods. Police have beenquoted as saying that they don’t need tosearch out the perpetrators, because usually a fewdays after a shooting, the attacker is shot inrevenge.There is an atmosphere of intense hostility anddistrust between much of Black New Orleans and theN.O. Police Department. In recent months, officershave been accused of everything from drugrunning to corruption to theft. In separateincidents, two New Orleans police officers were recentlycharged with rape (while in uniform), and there havebeen several high profile police killings ofunarmed youth, including the murder of Jenard Thomas,which has inspired ongoing weekly protestsfor several months.The city has a 40% illiteracy rate, and over 50% ofblack ninth graders will not graduate in four years.Louisiana spends on average $4,724 per child’seducation and ranks 48th in the country for lowestteacher salaries. The equivalent of more than twoclassrooms of young people drop out of Louisianaschools every day and about 50,000 students are absentfrom school on any given day. Far toomany young black men from New Orleans end up enslavedin Angola Prison, a former slaveplantation where inmates still do manual farm labor,and over 90% of inmates eventually die in theprison. It is a city where industry has left, andmost remaining jobs are are low-paying, transient,insecure jobs in the service economy.Race has always been the undercurrent of Louisianapolitics. This disaster is one that wasconstructed out of racism, neglect and incompetence. Hurricane Katrina was the inevitable sparkigniting the gasoline of cruelty and corruption. Fromthe neighborhoods left most at risk, to thetreatment of the refugees to the the media portrayalof the victims, this disaster is shaped by race.Louisiana politics is famously corrupt, but with thetragedies of this week our political leaders havedefined a new level of incompetence. As hurricaneKatrina approached, our Governor urged us to“Pray the hurricane down” to a level two. Trapped ina building two days after the hurricane, wetuned our battery-operated radio into local radio andtv stations, hoping for vital news, and were toldthat our governor had called for a day of prayer. Asrumors and panic began to rule, they was nosource of solid dependable information. Tuesdaynight, politicians and reporters said the water levelwould rise another 12 feet - instead it stabilized. Rumors spread like wildfire, and the politicians andmedia only made it worse.While the rich escaped New Orleans, those with nowhereto go and no way to get there were leftbehind. Adding salt to the wound, the local andnational media have spent the last week demonizingthose left behind. As someone that loves New Orleansand the people in it, this is the part of thistragedy that hurts me the most, and it hurts medeeply.No sane person should classify someone who takes foodfrom indefinitely closed stores in adesperate, starving city as a “looter,” but that'sjust what the media did over and over again. Sheriffsand politicians talked of having troops protect storesinstead of perform rescue operations.Images of New Orleans’ hurricane-ravaged populationwere transformed into black, out-of-control,criminals. As if taking a stereo from a store thatwill clearly be insured against loss is a greater crimethan the governmental neglect and incompetence thatdid billions of dollars of damage anddestroyed a city. This media focus is a tactic, justas the eighties focus on “welfare queens” and“super-predators” obscured the simultaneous and muchlarger crimes of the Savings and Loanscams and mass layoffs, the hyper-exploited people ofNew Orleans are being used as a scapegoatto cover up much larger crimes.City, state and national politicians are the realcriminals here. Since at least the mid-1800s, its beenwidely known the danger faced by flooding to NewOrleans. The flood of 1927, which, like thisweek’s events, was more about politics and racism thanany kind of natural disaster, illustratedexactly the danger faced. Yet government officialshave consistently refused to spend the money toprotect this poor, overwhelmingly black, city. WhileFEMA and others warned of the urgent impendingdanger to New Orleans and put forward proposals forfunding to reinforce and protect the city, theBush administration, in every year since 2001, has cutor refused to fund New Orleans flood control,and ignored scientists warnings of increasedhurricanes as a result of global warming. And, as thedangers rose with the floodlines, the lack ofcoordinated response dramatized vividly the callousdisregard of our elected leaders.The aftermath from the 1927 flood helped shape theelections of both a US President and aGovernor, and ushered in the southern populistpolitics of Huey Long.In the coming months, billions of dollars will likelyflood into New Orleans. This money can either bespent to usher in a “New Deal” for the city, withpublic investment, creation of stable union jobs, newschools, cultural programs and housing restoration, orthe city can be “rebuilt and revitalized” to ashell of its former self, with newer hotels, morecasinos, and with chain stores and theme parksreplacing the former neighborhoods, cultural centersand corner jazz clubs.Long before Katrina, New Orleans was hit by ahurricane of poverty, racism, disinvestment,deindustrialization and corruption. Simply the damagefrom this pre-Katrina hurricane will takebillions to repair.Now that the money is flowing in, and the world’s eyesare focused on Katrina, its vital thatprogressive-minded people take this opportunity tofight for a rebuilding with justice. New Orleans isa special place, and we need to fight for its rebirth.